Practice and Programs

For my next long term gig, they’ve requested two shows.  One for Turkish Night, and the other for Palace Night.

Palace Night entertainment features, but is not limited to (i.e. I don’t remember the whole program): a fusion dance group of two or three, a Russian revue dance group, a Russian-speaking comedian, and me.  I think I will perform candle tray that night.  (Sorry, Mom.  I know you hate fire.)

Turkish night includes live music, another belly dancer (she’s from Turkmenistan), a zenne (male belly dancer), a folk dance group, a Kafkas group (I love this.  The female dancers are elegant and graceful, and the men do this thing where they parade around on their toes, which is cool and surprisingly masculine.)  For Turkish Night, I think I’ll incorporate some floor work and a cane dance.  “But cane dancing is Egyptian and Lebanese!” you say.  And I say, “So, what?”

Months ago, in one of my updates, I mentioned that I had been doing some improvisations with darbuka player Coşar Kamçı, formerly of Baba Zula, and promised that I would post one online eventually.  Well, I probably never would have, but my drummer did, so here it is.  I think we recorded this one in August of 2012.  Please note: the refrigerator in the background and my sigh of relief at the end signify authenticity.

Dance Life

After long post-New Year’s hiatus during January and most of February, my performance schedule started to pick up toward the third week of February, starting with my show in Van, then the listening party for a pop singer called Arman, where I performed with incredible percussionist Bünyamin Olguncan, and some other great musicians at Ghetto Music Lounge.  (Don’t ask me why it’s called that, but it’s a cool place.)

This Friday and Saturday past, I performed with Besidos, the Balkan-gypsy-pop quartet of Germany in their shows at Nublu Istanbul.  It was so much fun!  Here’s a video from Saturday:

Yesterday was pretty cool, too.  I, along with 29 other dancers, performed an oryantal choreography in a music video for Israeli singer Dudu, to be released this summer in Israel.  We also had to sing a bit.  In Hebrew!  The filming took place in a beautiful hotel on the Bosphorus in the Tarabya area of Istanbul and lasted allllllll day.  I met some cool dancers, and a few weird ones, too.

hotelfuar

So much fun!  What’s next?

Life

On Friday I confided in my playsister that I was feeling a teeny twinge of kıskançlık in my heart. She said, “Don’t be jealous. You have a good life.”
Looking back, it has been a great week.
Khadijah, a dancer from Denver, by way of Saudi Arabia, was in Istanbul.

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We squeezed a lot into her visit–costume shopping, a visit to musician Raquy’s Darbuka Ofis for a bit of drumming and henna,

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a show at Gar Muzikhol where we saw Athena perform,

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a photo shoot with photographers Beatriz (Brazil) and Kareem (Egypt), mutual friends of Athena and Khadijah, but who I was only just meeting, and the Fındıkzade bazaar.
Khadijah left on Saturday and I met up with a few people to visit a smallish club, which was overly crowded and a bit smoky, but otherwise good, then to a huge club, which was also overly crowded, but had some flexible trapeze artists performing above us.

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Today I met up with dancer friends Athena and Leeann for brunch and a trip to the salon, where I got a magenta lock of hair!

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Now I’m at Hits On Air, where my percussionist friend Coşar (formerly of Baba Zula) is recording an album.

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Tomorrow, a trip to the bank and tax office. Woo hoo!

What fun things did you do this week?

A Nomadic Belly Dancer’s New Year’s Eve

It was perfect that I signed my gig contract two months before New Year’s Eve, because the two weeks prior to the 31st, when everyone is clamoring to book talent for the biggest night out of the year, I was to be in the US on holiday with my family, with my Turkish telephone turned off. My performance was to be in Adana, in southern Turkey, at Inci Hotel.

After what seemed like a never-ending intercontinental journey comprised of less than restful neck-lolling, open-mouthed plane sleep and idle time at Heathrow, I returned from Los Angeles to my Istanbul apartment at one am on December 30th, only to unpack my suitcase, fall into bed at three, and wake up five hours later to head back to the airport.

I met my agent in Taksim where I was to leave via shuttle for Atatürk International.  We’d cut it close–my costume designer had finished my NYE costume while I was in the States and sent it via cargo from Fethiye to Istanbul, where my agent collected it so she could hand it to me before I left for Adana.  Sure, I could have worn any number of costumes, but everyone knows it’s good luck to wear a brand new one on New Year’s Eve.  It’s important.  Some people eat black eyed peas. . . .

My ride to the airport and flight to Adana passed in a blur.  The delirium from being overly tired is akin to that of being overly drunk.  Once I got to Adana, though, it was all smooth-sailing.  A driver met me at the airport, took me to the hotel, and I was shown to my room.  The first thing I noticed was that there were big posters throughout the hotel with my photo on them.  Very movie starrish.

NYE 2013

NYE 2013

The guest services manager went quite out of her way to make sure I was comfortable, fed, and entertained.  She even went as far as to take me out for Turkish coffee, complete with a psychic coffee grind and tarot reading.  (2013 is going to be a successful year for me.  Also, love is on the way.  More specifically, sometime in the next three months.)

Inci is a four star hotel, but the treatment I received was five stars.  The hotel’s tailor did the small but important final alterations on my costume, my food was brought to my room without my having ordered it, and I spent a wonderful afternoon in the Turkish bath and spa.  In addition to receiving one of the top three massages of my life, (maybe the best ever), the hotel called in an esthetician just for me.  I also had a garson looking after me: escorting me from my room to the dressing room before showtime, bringing me food, water, and wine, and keeping me to my schedule.

There were three events in the hotel: one in each ballroom, and another in the hotel’s  nightclub.  I performed in all three.  The first of the three shows was tremendously fun.  There was a lively crowd of families, groups of friends, and happy people of all ages, generous tips flew, and there was a stage that slowly rose into the air before floating back down to ground level as I  performed my drum solo.  I found it a bit weird that one of the DJs made it known to me that he was hoping for a tip for playing for me.  Way to take the pleasure out of something I had already planned to do!  At least he had the decency to look embarrassed about it.  I cannot say the same about his fellow DJ, who approached me later about the same topic, and was beyond tacky about it.

The second ballroom had a weird energy to it.  I don’t know whether the musician who’d performed before me had been singing melancholy songs about heartbreak and sorrow, or what, but when I entered the room, everyone seemed subdued, as though they’d all taken Quaaludes.  They brightened up considerably once my music started to play, but nothing to compare with the first salon.  I clapped a bit while I was on stage, as I’ve seen some Turkish dancers do to engage a clueless touristic crowd, but the only person in the audience to follow my initiative and clap along with any enthusiasm was a very happy and excited young woman with some apparent mental disabilities.  After I performed on stage, I did a round of alatura–this is when I dance around the tables, encouraging others to dance.  I danced with the ladies, their husbands, and their children–you know, being fun, being charming.  Well, while lots of people got up to dance and filled the dance floor, and dozens of people beckoned me to pause for a photo, no one seemed to be tipping.  I thought it was odd, and I daresay I felt a bit under-appreciated!

Well, who should be the first to tip me but a low-life pervert?  It irritates me to recall the lout who copped a feel under the guise of tipping me with a flourish.  Stunned and outraged, I pulled away from him defensively, and glaring at him, thought for a moment before slapping him across the temple with as much force as my bejeweled little hand would allow.  My urge was to choke him as I’d learned in Judo, but I couldn’t.  I had to be dignified and settle for a slap.  My little garson hadn’t been much of a bodyguard, but the general manager seemed to materialize instantaneously.  The sister/wife?? (if wife, poor thing)/female friend or cousin of my aggressor apologized profusely, blaming her comrade’s beastly behavior on his excessive alcohol consumption.  The garson quickly ushered me far away from the scene, and the music played on.

My moral (morale) was pretty bozuk (means broken, read: low) at that point, but my performance time hadn’t ended, so I went back to the dance floor, which was far from the scene of the crime, and filling up, and joined the innocent and ecstatic young woman who’d been clapping with me earlier, along with her parents, for a dance.  Just before my final whirl off stage to the sanctuary of the dressing room, a couple asked me to pose with them for a picture, thanked me, and handed me a 100 lira note.  These two things helped to ease the eery feeling that haunted me from the prior incident, although it took a little while before I could shake the creeps completely.

Luckily, my next show wasn’t until half an hour later.  The story of my unfortunate incident had preceded me backstage, where the musicians proceeded to tell me how well I’d done to slap the miscreant.  By the time I went on stage for my third and final performance, I’d regained my composure and joyful disposition.  The atmosphere of the third party was splendid, mirroring that of the first, and I closed on a high note.  I was escorted to my room, where I slept blissfully for 4 hours, before waking up to breakfast and–another trip to the airport.

All in all, a mostly wonderful experience.  Not to mention a lucrative one.  Quite lucrative.

New for New Year's Eve

New for New Year’s Eve!
Costume by Pırıltıkostüm Moda

 

 

 

Dancing with the Kids

There’s a strange phenomenon in Turkey.  I’m not sure how it came about, but popular foreign music by (mostly, but not exclusively) black American artists (some Caribbean artists are included) is referred to as R & B.  This is not R & B as an abbreviation for “Rhythm and Blues.”  It is pronounced by Turks “arenbi“, and encompasses hip-hop, electro-r&b pop (like Rihanna), and some mainstream dancehall songs.

I used to chuckle about this with my well-informed, fluent English speaking, Turkish “little sister”, and when the studio where I work asked me to teach a children’s dance class, I jokingly suggested I teach an “arenbi” class.

Well!  Although arenbi doesn’t exist as an actual music genre nor style of dance, the parents and their kids were ALL over it from the start, and another 1-3 children join my class every week.  We dance to popular hip-hop and dancehall music from over the last five years, plus any other songs that tickle my fancy, or songs the kids request, and I teach them simple skeletal choreographies, how to stay on beat, and try to get them to “add their own flavor.”  I thought line dances would be fun to do with them, so last week, I taught the Wobble.

Don’t know what the Wobble is?

Would you like to learn to do the Wobble yourself?

Homelust (Wanderlust + Homesickness)

I know I’ve only just returned from Montenegro and Cyprus, and that I’m going to England in a month, but I’m getting that restless feeling again, and these short trips (wonderful and exciting as they are) aren’t scratching the itch.

I miss America! I’d like to have:

a medicinal herb holiday (I need to recoup) in Northern California, visiting cousins, friends, and enjoying nature

family time with my nephews, sister, and a little Hollywood glamour in LA

a visit to Seattle and/or Portland, just because

a stop in Ohio for old times’ sake (best friends and their babies, my dad) and another in North Carolina because if I don’t go soon, my bosom buddy out there might very well write me off forever

and time in Washington, DC–because home is where the heart and the vegan food are.

Of course I’d need to dance in each and every one of these places, preferably a combination of performing, teaching, and studying, and earn some money while I’m there to finance the trip.

Then I could come back to Turkey.  Or go to Hong Kong, then Turkey.  Or Hong Kong, Indonesia (they tell me it’s beautiful), then Turkey.

Then I’d be satisfied.  For awhile, anyway.

Dear Big Time Music Producer/Star Maker:

I am flattered that you’ve invited me to perform in the music video you’re producing.

I appreciate that you have “no budget” and are “relying on favors” to make it happen.

I truly believe that your video is going to “go viral” on Youtube.

I understand that you have a “pro group of dancers” (pro·fes·sion·al [adj.] following an occupation as a means of livelihood or for gain) that “always comes out to the shows to dance for free”.

Thank you so much for the “opportunity”, but you’re going to have to count me out this time.

-Lara, the artist who “makes a big deal” out of being paid for her time

A dance coach is like a mirror. . .

A good dance coach is invaluable.  She’s like your mirror–always giving honest feedback–only wiser, and more talented.

She’ll tell you how wonderful you are, and the ways in which you are not wonderful–and it’s necessary to hear both.

You go to the coach because you want to get better.  There’s a special show you’re working on, or a competition, and you want her guidance and input.  Or, you feel you’ve reached a plateau in your dancing, or you are not progressing at a rate that pleases you.  Perhaps you want to transition from advanced student to professional performer, but you’re not sure what that means or where to begin.  There are many reasons to go to a master teacher for private lessons/coaching, but they all stem from one thing–you want enormously to improve.

A coach will watch a performance where you thought you did “pretty okay”, and let you know that you were actually “just” okay, remarking that your arm work was weak in places, or your timing was off, or that jazzy kick in your routine looked corny.

A coach will also let you know that the skeletal choreography you’ve been working on has some really excellent parts in it, and NO, you don’t need to change the music because you’re doing a great job.

I have several mentors that I’ve visited for such coaching.  Here are some of the things they’ve said:

“Don’t do that ugly thing with your arms when you turn!”

“Stop complaining about what you need to improve.  That’s my job.”

“You’re a diamond in the rough.  You need polish.  But it’s better to be a diamond in the rough.  Some dancers are like quartz, and no matter how much you polish ‘em, [they're still just quartz]” (E. A. M.)

My mother is not a dance coach, but sometimes she fills in as one in a pinch–

“Lara, it’s time to retire that costume.”

“Lara, the general public will find this song boring.”

“Lara, that was fantastic!  I’m so proud of you!”

I would like to thank a few of my most recent and most influential coaches: Artemis Mourat, Lotus Niraja,  Faten Salama, and Mom!

A boy called Kerim

I have a gay acquaintance who’s in the closet.  He loves to dance and wants very badly to do it professionally, but he doesn’t have any training, and his father doesn’t approve of his becoming a dancer.  He’s always asking me to find him a job.  Unfortunately, there just aren’t that many (read: any) dance jobs for a person with his level of skill in the genres of dance that interest him (Romany and belly dance), but I ask around for him sometimes, anyway.

A few days ago, this acquaintance contacted me to tell me he was in love with me.  Madly, deeply, and hopelessly so.  Please!  I thought.  You and I both know that you’re gay.  Maybe you don’t know that I know–perhaps you don’t even really know yourself.  But I know.  You’re not in love with me, buddy.  So I brushed him off with a “thanks, but no you’re not.”

He asked me how things were going in Bodrum, and if there were any job openings for him.  I told him not really, but if he had any experience with Turkish folk dancing, one of the folkloric groups was short one dancer, and I would talk to my agency about the possibility of hiring him.

Two days later, last night, this fool showed up unannounced at my door.  Just flew to Bodrum with one small bag and no money, no plan and no place to sleep!  I talked to the boss, who said he could stay here for four days, and if he learned quickly, he’d be hired, otherwise, he’d have to move on.

The acquaintance didn’t mention being in love with me again.  He calls me big sister now.

Update:

So, in the 30 minutes since I’ve written this blog entry, the bosses have changed their minds and the boy has to go home.  And he’ll need some money to get there.  From me, of course.

Update:

So, the boy had been asked to leave after his first night and I’d given him money for the bus.  He was starting to get annoying by this time, and I was looking forward to his departure.  Still, we all felt bad because he was down on his luck.  One of our folk dancers offered to talk to the owner of a nearby pub to see if the boy could work there, so against our better judgement, the boy was given permission to stay another night.

That evening, while we dancers were at work, the boy stole my friend’s camera and disappeared.

Update from Bodrum

Week three in Bodrum is coming to a close.

Every day, I perform in an amphitheater, hotel lounge, restaurant, or some combination of the three, with the occasional boat tour performance.

I live in an “apart otel”, with all the dancers in our organization.  There are Turkish folk dancers, Brazilian samba dancers and capoeristas, Mongolian acrobatic/circus show performers, Ukrainian modern dancers, plus me and a few other Turkish belly dancers.  It’s kind of like a Melrose Place, where we all meet to socialize around the pool.

It can get pretty dramatic.  There are have been romances, misunderstandings, tears, parties, and late nights out.  Dancers have been ousted, and there have been a few minor attacks by the pet monkey.  I admit to one small temper tantrum.

It’s all very exciting.

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