Practice and Programs

For my next long term gig, they’ve requested two shows.  One for Turkish Night, and the other for Palace Night.

Palace Night entertainment features, but is not limited to (i.e. I don’t remember the whole program): a fusion dance group of two or three, a Russian revue dance group, a Russian-speaking comedian, and me.  I think I will perform candle tray that night.  (Sorry, Mom.  I know you hate fire.)

Turkish night includes live music, another belly dancer (she’s from Turkmenistan), a zenne (male belly dancer), a folk dance group, a Kafkas group (I love this.  The female dancers are elegant and graceful, and the men do this thing where they parade around on their toes, which is cool and surprisingly masculine.)  For Turkish Night, I think I’ll incorporate some floor work and a cane dance.  “But cane dancing is Egyptian and Lebanese!” you say.  And I say, “So, what?”

Months ago, in one of my updates, I mentioned that I had been doing some improvisations with darbuka player Coşar Kamçı, formerly of Baba Zula, and promised that I would post one online eventually.  Well, I probably never would have, but my drummer did, so here it is.  I think we recorded this one in August of 2012.  Please note: the refrigerator in the background and my sigh of relief at the end signify authenticity.

Adventures in Danceland

So, my mother came to Turkey for the first time.  Yay!

Mom and me.  Do we look alike?

Mom and me. Do we look alike?

We had a great time and did lots!  Here is one of our adventures:

A talent manager/agent contacted me to discuss at length (ad nauseum?) an opportunity to perform at hotels in Alanya, but I turned it down.  What he’d described  didn’t seem like a good fit.–It sounded very similar to what I’d done in Bodrum two summers ago, which was only wonderful until I got fed up with it.  Plus, I’d already been to Alanya to perform with another agent, (just briefly, before I escaped to Bodrum) and what a fiasco that was!  Besides, I’m quite happy in Istanbul.

To my surprise, he contacted me again to introduce me to a colleague of his.  The second agent proposed my performing nightly in a beautiful, historic venue in Alanya.  Still not a perfect fit–he wanted me to start work mid-April, but I have obligations here until at LEAST May.  I thought if I went anywhere to dance this summer, it would be to Fethiye for three months, starting early June or so.

He told me to think about it and he would call me the next morning at 9:00.  If I’m not mistaken, my mother and I were enjoying some homemade carrot cake pancakes (YUM!) when he called the following day 9:01 am.  He listed all the reasons I should take this job, offered to postpone my start date, and asked if he could fly me down to Alanya so I could “see the venue, the city, and how he operated.”  The answer to that was “Of course!”

I told him I could make the trip the following weekend, after my mother’s visit had finished.  After all, she and I were hanging out in Istanbul!

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But since he preferred to meet this weekend, he suggested that he send for both me and my mother.  Soooo. . .  my mother and I were flown to sunny Alanya and put up in a nice hotel, visited the beach, and also met the very professional, persistent and polite manager, his supportive and hardworking wife, and their charming, cheerful 4 year old daughter.  We were thoroughly introduced to the venue–

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Beautiful and old!

its grounds, stage, staff, food, and owner are all very lovely–and shown the apartment in which I’d be living were I to take the job.  The venue is open 11 months a year, so my mom and I also got a chance to watch the winter/off-season program, which was highly entertaining.

Between what seems like a most pleasant workplace, and a south facing, sea-view apartment situated right across, and I mean right across the street from the beach, I must say I’m enticed.

My mom is already planning to come back.

Hey, old maid! Thoughts on aging and Turkey.

Turkish people have a unique perspective on aging.  Here in Istanbul, it’s common for couples to marry in their early or mid-20s, and begin having children shortly after that.  An unmarried woman who’s in her late 20s might receive this “charming” comment: “Evde kaldın artık.”  Literally, it translates as, “You’ve stayed at [your parents'] home”, but the meaning is: “You’re an old maid.”

My (Turkish) dentist once told me that Turkish people don’t take very good care of themselves.  Of course, there are exceptions to this rule, but I have observed that most men have begun to develop a “Turkish balcony” (fat belly) by the time they reach 27 or so, and I also understand (I received this information during the same conversation with said dentist) that the average age for full dentures in this country is 40.  When I mentioned to a friend that I hoped to have all my same teeth for the rest of my life, she and her adult son laughed heartily.  They genuinely thought I was joking, as though this were an impossible goal.  Further, and rather unfortunately, it’s more common to smoke cigarettes here than to not smoke.  A lot of my acquaintances here also visit the tanning booths, and I don’t know anyone here who uses sun cream, except maybe on a day at the beach.

I know that aging, and all that comes with it, is difficult for people everywhere.  Even I, who happily entered my flirty thirties this past June, felt a bit wistful when I looked into the mirror at age 27 and realized I no longer looked 16.  Still, when my baby-faced friend was moaning about “getting old” on her 22nd birthday, it was hard not to roll my eyes.  Actually, I’m pretty sure I did roll my eyes, and then, like a crotchety old woman, I probably lectured her, saying something like, “Please!  Stop wasting your youth mourning your youth.”

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Here in Turkey, 55 is old.  65 is ancient.  When I told someone my mother’s age, he asked if she could still walk and get around easily.  What?  Walk?!  My mother can touch her toes without bending her knees.

The contractor working in my apartment building is one of the exceptions to this early aging phenomenon.  While he did marry young and have two children well before 30, he doesn’t look any older than he is.  At forty, he’s divorced, fit as a fiddle, has never smoked cigarettes, and drinks only the occasional beer.  He looks pretty good, actually.  I even admit to checking him out while he was moving my refrigerator.  But guess what?  He certainly wasn’t checking me out.  He thought I was a university student, a few years older than his son.  Instead, he had a crush on my friend, who was visiting me from the United States.  She’ll be 50 next month!

Youth is fleeting, and I certainly take precautions now to preserve mine, but life is a gift at every stage, and since aging is inevitable, why not try to enjoy it?

Moving by yourself is hard

I don’t even want to get into the reasons I’m moving unexpectedly to another apartment. (My former roommate morphed into frigid b*tch and her layabout boyfriend was basically living with us.) Instead, I wish to focus on my adorable new Galata area home!
It’s tiny compared to my old apartment, but plenty big enough for me. It’s a corner building, which means my many (doubled paned!) windows (so many that I struggled to find a lady willing to clean them all) face east, west, and north, with one bay window facing south. I even have an itty-bitty balcony. Welcome, smokers!
It’s got two decent-sized rooms–a bedroom and a living room–plus a well-appointed kitchen, a corridor that I plan to utilize to the max, as though it were a real room, and a nice bathroom. Well, the bathroom will be nice after the contractor finishes raising the sink and adding the built-ins.
Moving on your own isn’t easy, though. Especially when you don’t have a car. And when you do hire a car, it can’t easily approach your door because there’s a television show being filmed in your neighborhood. Yesterday, I came via taxi with a dresser, small table, suitcases, and et cetera. The contractor insisted it was a better idea for him to meet the taxi at the bottom of the hill instead of maneuvering our way up to my street. I tried to tell him I had too much stuff for that, but men don’t always listen. Luckily, once my possessions had all been unloaded onto to curb, and the contractor was scratching his head, “Hmm, you do have a lot of stuff”, this man with an empty wagon rolled our way.
Müsait misiniz?” I asked hopefully. (“Are you free?”)
He was, so we loaded everything onto his wagon and he got an excellent workout pushing it up the short but steep hill. He seemed pleased with the 10 lira I gave him for his help. The taxi driver had suggested I give him five!

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Life

On Friday I confided in my playsister that I was feeling a teeny twinge of kıskançlık in my heart. She said, “Don’t be jealous. You have a good life.”
Looking back, it has been a great week.
Khadijah, a dancer from Denver, by way of Saudi Arabia, was in Istanbul.

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We squeezed a lot into her visit–costume shopping, a visit to musician Raquy’s Darbuka Ofis for a bit of drumming and henna,

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a show at Gar Muzikhol where we saw Athena perform,

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a photo shoot with photographers Beatriz (Brazil) and Kareem (Egypt), mutual friends of Athena and Khadijah, but who I was only just meeting, and the Fındıkzade bazaar.
Khadijah left on Saturday and I met up with a few people to visit a smallish club, which was overly crowded and a bit smoky, but otherwise good, then to a huge club, which was also overly crowded, but had some flexible trapeze artists performing above us.

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Today I met up with dancer friends Athena and Leeann for brunch and a trip to the salon, where I got a magenta lock of hair!

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Now I’m at Hits On Air, where my percussionist friend Coşar (formerly of Baba Zula) is recording an album.

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Tomorrow, a trip to the bank and tax office. Woo hoo!

What fun things did you do this week?

Back in Istanbul, doing my thing.

This morning I woke up at the crack of dawn–before that, really, because I was already awake and editing when the call to prayer sounded. Like a good yogini, I took a break from the revisions of the book to do a few sun salutations. (I wonder if I can make that a new habit for 2013?)

There was only a tiny bit of editing left on the book I’d been working on, and I’m pleased to say I’m finally finished!

I enjoyed lying about on January 1st, my first full length-sleep since returning from DC, LA, and Adana. Unfortunately, the relaxation was short-lived.

Wednesday, I returned to my twice weekly sessions with my tutees/charges. I’m the super-part-time governess to one family, and foreign language tutor to the daughter of the family next door to them. I eased back into the position with the help of a few games.

Why, yes, this IS what I do at work.

Why, yes, this IS what I do at work.

Thursday at the studio will be more brutal–longer commute, later start and finish times, and teaching three dance classes back to back after having been away for two and a half weeks.

To make matters worse, I’ve got no fresh food in the fridge to fuel me. I suppose I’ll just have to drink another cup of tea, and hopefully, I’ll make it through the night.

Ah, life!

Dancing with the Kids

There’s a strange phenomenon in Turkey.  I’m not sure how it came about, but popular foreign music by (mostly, but not exclusively) black American artists (some Caribbean artists are included) is referred to as R & B.  This is not R & B as an abbreviation for “Rhythm and Blues.”  It is pronounced by Turks “arenbi“, and encompasses hip-hop, electro-r&b pop (like Rihanna), and some mainstream dancehall songs.

I used to chuckle about this with my well-informed, fluent English speaking, Turkish “little sister”, and when the studio where I work asked me to teach a children’s dance class, I jokingly suggested I teach an “arenbi” class.

Well!  Although arenbi doesn’t exist as an actual music genre nor style of dance, the parents and their kids were ALL over it from the start, and another 1-3 children join my class every week.  We dance to popular hip-hop and dancehall music from over the last five years, plus any other songs that tickle my fancy, or songs the kids request, and I teach them simple skeletal choreographies, how to stay on beat, and try to get them to “add their own flavor.”  I thought line dances would be fun to do with them, so last week, I taught the Wobble.

Don’t know what the Wobble is?

Would you like to learn to do the Wobble yourself?

Impromptu Photo Shoots and Vintage Belly Dance Albums

On Sunday, I met with a dancer visiting from Switzerland who seems to have traveled the whole world, and knows Istanbul like the back of her hand.  I was pleased to introduce to her to the very happenin’ secondhand/antique/vintage/flea market in Bomonti.  They have cool old records:

Mustafa Kandıralı ve Arkadaşlar (Mustafa Kandıralı and friends)

and everything else under the sun.  I bought an expensive but delightful little Ottoman table for my bedroom, which I’ve recently redecorated and renamed The Chillout Lounge.  My roommate keeps asking me who’s going to be chilling in there.  Well, still just me, but I will be chilling alone in style.

I met up with Meissoun again on Monday morning, and we went to see one of my beloved costumers, Pelin.  When we finished up our chatting and business there, we headed to another of our costume designers, Serap Su.  After a bit, I left the two of them to their adventure of fabric hunting in the textile district, and headed to the first of a bunch of meetings with another friend.  One of the meetings was an introduction to a photographer, who took a series of test shots of me, then let us loose on the backdrop with his props and our camera phones.

In the morning, I get to go sign the contract for my New Year’s Eve gig.  I got something juicy!

Sorry, no pic, but

My roomie invited me to a Halloween party on Friday.  She wanted to wear an outfit comprised of several different grey items of clothing, going as “50 Shades of Grey.”  I wasn’t keen on the idea from the start, but once I saw two of her shades were actually taupe, I convinced her to go as a dog.  Lady from Lady and the Tramp, perhaps.  I was a cat, and we drew our faces on with eyeliner and stuff.  I even had a tail.  (Formerly the collar of a faux fur jacket.)

The party was fun.  I thought our face makeup was just perfect, but after leaving the party, we headed down Istiklal to get to a taxi, and a young man sitting on a stoop called out enthusiastically:

İki fare!” 

(Two mice.)

Belly Dancer Days

If you’re a belly dancer who performs at weekends and special events, you’ve got a lot of extra time on your hands. Day time, specifically. And while I love eating lunch in my pajamas as much as the next person, free time, when available in excess, can be difficult to fully appreciate.

My schedule has changed with the seasons, and now I’m much busier. After a hiatus from teaching dance in order to travel this summer, I’ve resumed my two belly dance classes at An ve An in Halkalı, plus added two cardio-dance classes to the program. Additionally, a group of Turkish women has engaged me for a private weekly belly dance lesson, and that’s pretty fun.

I also have been “day-lighting” as a part-time governess. Just for three hours a day, two days a week. Variety is the spice of life, so why not fill that early afternoon slot? Primary duties of this position include homework support and baking vegan sweets with a little girl, plus a bit of literacy tutoring and playing make-believe. Full time play tutoring can be highly lucrative, but for me, six hours a week at this gig is plenty.

I’ve also agreed to edit a book. It is a memoir about a man’s experience as a first-time father in Turkey. He tells a good story, and it’s an interesting read, but he gets a bit touchy about some of the edits I make. I figure the more criticism he receives from me, the less he’ll have to deal with once it’s published.

I also try to take at least one day a week to practice to live music now that my darbuka player and I are both back in town. (He travels to perform a lot. I’d like to get on his level–his band just came off of a month-long European tour.) My drummer/friend and I (and sometimes his super-talented 11 year old son) practice together and record the sessions. Video is a valuable tool–great for identifying and correcting the hideous mistakes unknowingly made during a performance. When I’m satisfied with one of the videos, I’ll post it here.

Even working these grueling daytime hours (usually about one to three hours a day, four days a week), I still have my belly dancer priorities in order, which, last week, included having this turquoise costume made:

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I love this costume designer! Adding her to my list of favorites.

Oh, and starting next week, I’ll be choreographing a few numbers for Istanbul International Community School’s high school theater production of Oliver Twist. Here’s a link to the wonderful 1968 musical, Oliver! It’s brilliant.

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